Great NYMag piece, which you can't help but read if you're as fascinated by Louis C.K. as I am:
Louis’s work on Louie requires a whole different level of personal oversight. The show is based on his life. Louis is the director. He’s also the only writer, the sole editor (he no longer shares duties with the co-editor he had last season), not to mention the person who oversees music (when the music guy’s budget ran out, he decided to do it himself). He also hired his own casting team: Last season, he turned down FX’s offer to help out and doesn’t inform them about casting in advance. But perhaps the most unusual aspect of the show is that Louis C.K. gets no notes from the network during filming, no script approval—an unheard-of “Louis C.K. deal” that has made him the envy of comics and TV writers alike.
And how cool, he calls Pamela Adlon (probably the most consistently best part of Californication, Marcy Runkle, and the voice of Bobby Hill) “the only real comic collaborator I’ve ever had.”
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